Independent literary journal · Issue 3

Writing that refuses to remain silent

TAMED™

A literary journal for voices, ideas, and stories that refuse to remain silent.

Published by Bangladesh Creative Writing OlympiadRead without permission

01 / The journal

Featured

01
Cover image for To lean to the light

To lean to the light

Sometimes when the curtains are drawn and the Sun sets to sleep, I remember my

Issue 1

Editorial Rating:3+
Cover image for The Record and the Choice

The Record and the Choice

The coin in your pocket, a planet in orbit, or the wheel of your childhood bicycle,if you take the distance across that shape (its diameter) and around it (its circumference), then divide that circumference by the diameter, you will undoubtedly land on π.

Issue 3

Editorial Rating:3+
Cover image for Ode to verse

Ode to verse

Dearest verse,

Issue 3

Editorial Rating:3+
Cover image for Moving

Moving

As I am about to put away the remainder of my boxes, a sudden strange feeling overrides me. The last golden rays of the setting sun gleam through the windows as I drop to the bed. Not my bed. At least, not yet. It will become my bed soon enough though. It always does. I’ll just have to give it a day, or two at best.

Issue 3

Editorial Rating:4+
Cover image for a letter to the algorithm

a letter to the algorithm

You promote books with a rapist for a male lead–

Issue 2

Editorial Rating:3+

A standing recommendation

Always Read

Cover image for A Memory of a River or a River of Memory?

A Memory of a River or a River of Memory?

I see a woman by the river. She is covered in some tar-like black sludge. Scars and

Issue 2

Editorial Rating:5

02 / From the archive

Issue 3

02

The current issue, with every published piece arranged newest first.

Cover image for The Monster

The Monster

In a world of monsters we live in, I sigh as I say to myself. But we can’t stop living in fear, can we?

Issue 3

Editorial Rating:3+
Cover image for Night at the Junkyard

Night at the Junkyard

My mind wanders back to a serene winter night. In a land that is no more, yet exists in a thousand minds.

Issue 3

Editorial Rating:4+
Cover image for Ordinary is the New Failure

Ordinary is the New Failure

The idea isn’t that ambition is bad, it is that we are treating ordinary life like failed life.

Issue 3

Editorial Rating:3+
Cover image for Moving

Moving

As I am about to put away the remainder of my boxes, a sudden strange feeling overrides me. The last golden rays of the setting sun gleam through the windows as I drop to the bed. Not my bed. At least, not yet. It will become my bed soon enough though. It always does. I’ll just have to give it a day, or two at best.

Issue 3

Editorial Rating:4+
Cover image for The Man Who Reached The Void

The Man Who Reached The Void

There are questions that haunt humanity, and there are questions that consume those who are foolish enough to pursue them. For Marcus, there was only one. “After everything ends, where do we go?”

Issue 3

Editorial Rating:3+
Cover image for অ-মানুষ

অ-মানুষ

'এইখানে রাতে আসতে কোনো মানুষ সাহস করে না, যারা ভুলেও এসে পরসে, তারা আমার পেটে. তুমি কে?

Issue 3

Editorial Rating:4+
Cover image for Human

Human

I am not allowed to bleed near her divinity.

Issue 3

Editorial Rating:4
Cover image for Yellow

Yellow

The princess locked in the tower.

Issue 3

Editorial Rating:3+
Cover image for The Record and the Choice

The Record and the Choice

The coin in your pocket, a planet in orbit, or the wheel of your childhood bicycle,if you take the distance across that shape (its diameter) and around it (its circumference), then divide that circumference by the diameter, you will undoubtedly land on π.

Issue 3

Editorial Rating:3+
Cover image for The Pale Lunar Horizon

The Pale Lunar Horizon

Mikhail adjusts the volume of his headset till it drowns out the tinnitus. Music really helps keep inspections like these vaguely within the bounds of being tolerable. Without the music, Mikhail is certain he would have lost his mind within the first week. He does so with one hand, careful to keep the other firmly on the steering wheel; the rover does not have great traction, and he would rather not get stuck out here. The scenery is desolate, oppressive even. It’s almost an assault on his senses, yet he presses on through the endless stretches of the featureless grey dust.

Issue 3

Editorial Rating:4+
Cover image for The Others

The Others

I. The oil pastels

Issue 3

Editorial Rating:4+
Cover image for Liar

Liar

1

Issue 3

Editorial Rating:3
Cover image for The Tale of The Mediterranean

The Tale of The Mediterranean

People love that word. Illegal. Illegal immigrant. Illegal border. Illegal boat. They say it with clean mouths, in clean rooms, over clean water. Nobody says illegal hunger. Nobody says illegal poverty. Nobody says illegal childhood without food.

Issue 3

Editorial Rating:4+
Cover image for Nishi

Nishi

****

Issue 3

Editorial Rating:4+
Cover image for Touch Me Not

Touch Me Not

It was back in 2013, when I was in class four that I first met Babul sir. He was my Islamic studies teacher. I remember the first time he saw me, and how he never looked away, not until he was already in his seat, and one of my classmates was asking him what he’d teach us today. Babul sir ignored him entirely. His very first words were, “We have a new beauty in our class!”

Issue 3

Editorial Rating:4+
Cover image for Fish tank

Fish tank

The fish tank is tiny and cramped and the exterior of it is stained an ugly shade of brown that can only be accumulated through years of neglected water stains. In it, a tiny blue fish swims to and fro. Thrashing its little fins and tail in the murky water from one corner to another as if it has anywhere else to be other than in the tiny cave settled over the small pebbles or under the poor plastic imitation of seaweeds.

Issue 3

Editorial Rating:5
Cover image for What Remains When The Room Empties

What Remains When The Room Empties

The morning is spent putting on our faces, the afternoon drifts as we perform our parts, and the night falls over as we think which of the casts was actually us.

Issue 3

Editorial Rating:3+
Cover image for The Revival

The Revival

I wake up to the brazen sound of my alarm clock feeling like a soulless pit of lost potential again. I sit up and grab my phone to open my socials and end up doom-scrolling for an hour, smiling at others happiness while crying at others loss. I look at the time, its 11 a.m. Realizing how much time I’ve wasted, a surge of venomous guilt makes me hate myself for a second. Technology has given us far more than we can ever imagine, but like a quiet midnight thief, it has taken a lot from us as well. As I fight off the thought that the days of my life are being reduced to nothing as I live vicariously through others online, I get the idea of walking around my new neighbourhood. I get up and start getting ready to go outside.

Issue 3

Editorial Rating:3
Cover image for ফিরে এসো।

ফিরে এসো।

প্রিয় প্রতিমা,

Issue 3

Editorial Rating:4+
Cover image for I would love to drown

I would love to drown

How dare you call to me,

Issue 3

Editorial Rating:3+
Cover image for Ode to verse

Ode to verse

Dearest verse,

Issue 3

Editorial Rating:3+
Cover image for Ruins

Ruins

The grand walls,

Issue 3

Editorial Rating:3

04 / Editors' selection

TAMED Honors

04

Pieces recognized by the editors for exceptional craft, originality, and impact.

No works have been assigned an Editorial Rating of 5+ yet.

05 / A note on voice

We believe a writer does not need permission to think.

We believe words can be beautiful, uncomfortable, strange, painful, humorous, or impossible.

We believe writing should remain human.

TAMED exists for writing that refuses to remain silent.

Identity should never determine the value of a voice.

Writers may publish under their real name, a pen name, or anonymously.

An invitation

There is a place for your voice here.

Submit your work